Okay, if anyone knows a cute, slightly freckly chick travelling back from St. Lucia to Falmouth on the 20.35, please apologise to her for me on behalf of my appalling chatting-up skills.
I don't normally try and talk to people on trains, especially attractive female people, but we'd traded 'tuh' expressions after a group of extraordinarily drunk people got off at Penryn, so the ice was sort of broken. I noticed her luggage had Virgin Atlantic stickers on it, so I asked her where she'd come from.
CFC: St. Lucia.
JH: Cool. (pause) Where's that?
CFC: The Caribbean (note: it may not have been the Caribbean, it could have been some other islands. My geographical knowledge is rubbish).
JH: Ah, right. Only your sticker had LVG (or similar, see above) on it, and I was trying to work out what airport that was. (I wasn't. Why did I say that?)
CFC: Gatwick.
Pause
JH: Oh.
Pause, during which we get to my stop and the doors open.
JH: Well, I'd better get off the Train of Incredibly Drunk People then.
I got off the train, realized if it sounded like I was insinuating it was she who was incredibly drunk, then gave up and wandered home. God, it's not as if I would even have asked her out for a drink or anything, I'd just like to be able to converse normally with people I've known for less than ten years. They're easy, you can just say 'Where's my pint, you big poof?'. Job done. So anyway, in the unlikely occurance that anyone knows aforementioned CFC, I thought she was very nice, and didn't mean to make her hark back to the Time of the Drunk People as some kind of mythical Golden Age.
Could have been worse. Neil Gaiman's
blog mentions he just got back from St. Lucia, so if I'd been on the train any longer I would have said something like 'Hey did you see Neil Gaiman out there? He wrote 'American Gods', which was great, and some other stuff which was great. I like great things.'
In fairness to me (and I'm always in favour of that), journey back from Rufus was truly epic, with the staff on Paddington ticket barrier behaving like demonic archetypes from some Joseph Campbellian nightmare. The woman may never have dealt with three Cornish people using the Folded Arms and Steely Glare of Doom before though, because she eventually crumbled and let us get the fucking train we'd fucking booked fucking tickets for.
Missed the last GW episode last night of course, as I was at the Rufus Wainwright concert. He was of course magnifique. One of his encores ended with the band running behind the curtain to get witch hats and cloaks, then finishing a song (can't remember which one) by slumping to the ground and melting in the style of the Wicked Witch of the East. Anyway, yes, off to watch last GW ep now. Seen it already, obviously, but if you don't see it on telly, it doesn't count.
Some people seem to have become convinced that GW2 isn't going to be set in a hospital. Not jumping the gun, but I think that may have come about due to filming in a real hospital being a bit restrictive so possibly moving to all-built sets next time round. I did (quite genuinely) suggest we set series two a hundred years before series one, as I think the cast would look good in Victorian costumes, but no-one went for it. Also, Daisy Haggard is in this one quite a bit, playing Mac's (temporary) girlfriend Emmy, and I think she's ace. It's very very hard playing a character with no sense of humour, and she does it very well. I've got a sitcom spec script doing the rounds at the moment (first few pages available
here) and I think Daisy would make an excellent Jools.
Forgot to say, Rufus was supported by his sister Martha, and she sung the 'Bloody Motherfucking Arsehole' song, which I'd delighted to say you can hear on her
website. I was going to asterisk bits out of that title, but the rest of this post is pretty sweary, so I won't bother. Anyway, the album comes out soon, and it sounds like it's going to be pretty special.